This visual essay asks what it means to un-border when what we know as the nation-state is, itself, mythology. Indeed, there is no component of a border more definitive than mythology. Mythology drives the recurring themes of displacement and dehumanization intrinsic to doctrines of discovery, “God’s chosen people,” “Terra Nullius,” “white man’s burdens,” and the extractive empires on which it is claimed no sun shall ever set. These logics reduce all they survey to the status of chattel, cattle, capital, and waste, ensuring that derivatives of these vertical extractive ways replicate themselves in every relationship. As such, the assassination of memory is vigorously carried out through incremental reckless endangerment, until systems only in existence since the cosmic equivalent of this morning are confused for all that ever was, ever has been, and ever shall be, even as they bring forth the terms and conditions of their own demise. How, then, does one un-border in this worlding? What is dismissed as just a dream, and what is continually and corrosively made into reality? Arriving at and through these questions, this essay explores how we might call upon the intrinsic parts of our being that have been relegated to the status of pestilence for over half a millennium through national mythology, and whether the constant enforcement, erasure, disembodiment, and coercion required for nation-building highlights its inherent illegitimacy. Ultimately, the essay turns to ways of knowing and seeing that have been disregarded at our collective peril, asking how authentic relations might be restored, or more accurately, cultivated and nurtured through social praxis; through the sacred magic found only in the work most avoided, and through what remains to be done–not through listening, but through daily acts of living and the relationality therein; through the collective gift of being and becoming.